Carnatic Music
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#MeToo impact: Chennai’s Music Academy drops seven musicians from December cultural season
Archana Nathan
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#MeToo: In world of Carnatic music and Bharatanatyam, women say harassment is an open secret
Archana Nathan
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Watch: When Carnatic singer TM Krishna performed with Jogappas, a transgender community of musicians
Scroll Staff
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Communalising Carnatic music: Artists face threats for singing devotional hymns in praise of Jesus
Vijayta Lalwani
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Meet the American who is adapting Carnatic music (and AR Rahman’s songs) for Western choirs
Vishwas Gaitonde
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Watch: A Chinese singer wins over social media with his Carnatic music performance
Scroll Staff
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Video: How is a mridangam made?
Smitha Nair Venkataraghavan Rajagopalan
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Nagaswaram: The instrument that took temple music to its pinnacle is now dying out – in temples
Vinita Govindarajan
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For Brahmins, by Brahmins: How (and why) Carnatic music became such an elite preoccupation
Kamala Ganesh
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‘It’s Brahmin bashing’: Singer TM Krishna’s remarks about MS Subbulakshmi spark a storm
Vinita Govindarajan
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For Chennai to truly be a Creative City, music must leave the auditorium and fill the streets
Nityanand Jayaraman
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What we can learn from the stories of South India’s saint-composers
Anil Srinivasan
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In these turbulent times, we must learn the value of arts from an 18th century Tamil musical legend
Anil Srinivasan
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From iPad to Keytar: A new generation of Carnatic musicians are embracing technology
Vinita Govindarajan
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When Jayalalithaa was part of exciting era of experimentation in Tamil film music
Anil Srinivasan
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How musicians can pay a true tribute to M Balamuralikrishna’s unconquerable soul
Anil Srinivasan
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Balamurali Krishna: The child prodigy who broke the status quo in Carnatic music
Veejay Sai
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Carnatic legend M Balamuralikrishna dead at 86
Scroll Staff
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Carnatic contemporary: Five genre-bending tracks that are rooted in classical music
Anil Srinivasan
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Can poetry in classical music give hope in today’s polarised times?
Anil Srinivasan